This coming Wednesday, March 22 at 20:00 pm and held at the Extension Center UCM Talca reschedule Film Cycle Art dedicated to the great Polish filmmaker "Krzysztof Kieslowskise" the movie to exhibit will be "Three Colors: White," a film for over 18 years, which chronicles the life of Karol, a Polish immigrant who lives in France, and who deeply loves his wife Dominique.
Despite this very important tie that links them, marital problems cause divorce and a series of hardship in life will happen to this man who is forced to return to his native Poland, to try to survive as possible, but regain sole purpose will always, somehow, his wife.
Accessions to enjoy this exciting film will be $ 500 for the general public; 2x1 Journal Subscriber Center and free for students and staff UCM.
is worth mentioning that the director was born in Poland in 1941 and is noted for being one of the filmmakers called "moral anxiety" also authored documentaries and dramas of everyday life, examining the nature of ideologies dominant.
At first he devoted himself to documentaries, but due to the censorship of the time preferred to narrative cinema. Thus, between 1989 and 1990, his career took a drastic turn to the issue of the mini series "The Decalogue", consisting of 10 short films are structured around the Ten Commandments.
Later, in 1991 conducted "The Double Life of Veronica, continued with the ambitious theme of his series, but his greatest success is the trilogy "Three Colors: Bleu (Blue), Blanc (White), Rouge (Red), designed as a tribute to the flag of the country that sheltered and Supported: France.
Catholic Reading "Three Colors: White
In human relationships there are certainly various forms of treatment, whether positive or negative. The film has before us, first of all negative aspects of a marriage that breaks fear, cruelty, desire for revenge, improper attachments. It is clear that nest in the human heart not only good intentions, but also inclinations terrible humiliation and revenge. So this film, despite the sometimes humorous tone that presents characters and events dealing with this last dimension. The question is therefore whether such a distorted human relationship may open to forgiveness and, thus, the possibility of restarting. A full answer to this question should, in the film, a careful interpretation of the final scene. Prof. César
Lambert.
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